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Grammar
& Editing Help
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Mechanics: Capitalization, Italics,
Punctuation, Spelling
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Capitalization, part 1 Use a capital
letter at the beginning of a sentence, line of poetry, or line in a bullet
list. Don’t use a capital letter to begin a
word that is not at the beginning of a sentence (unless it is a proper name or the title of a
source). Links:
Capitalization, part 2 Capitalization in a
title
The rule for the
capitalization of titles (of books, papers, and other creative works) is: * Capitalize the first
and last words of the title. * Capitalize the first
and last words of the subtitle. * Capitalize all other
words except for prepositions, articles, and conjunctions.
Further
Reading: In Eye on Editing 2,
see page 127 Capitalization,
part 3 Capitalization rules
for proper names
Links: Proper
nouns and common nouns
Further
Reading: In Eye on Editing 2,
see page 127
Italics, part 1 Use italics or
underlining to set off words that are referred to as words. Example: When I teach the study of framing at Berkeley, in Cognitive
Science 101, the first thing I do is I give my students an exercise. The
exercise is: Don't think of an elephant! Whatever you do, do not think of an
elephant. I've never found a student who is able to do this. Every
word, like elephant, evokes a frame, which can be an
image or other kinds of knowledge: Elephants are large, have floppy ears and
a trunk, are associated with circuses, and so on. The word is defined
relative to that frame. When we negate a frame, we evoke the frame. [1]
Use italics or underlining
for words that are in contrast. This is sometimes what is meant when you hear
the word “emphasis.”
Example: Not only can
you begin a sentence with a conjunction, in many cases you must do so. Links: Further
Reading: In Eye on Editing 2,
see page 127
Use italics or
underlining for titles of books, journals, and other large works.
Generally,
we italicize the titles of things that can stand by themselves. Thus we
differentiate between the titles of novels and journals, say, and the titles
of poems, short stories, articles, and episodes (for television shows). The
titles of these shorter pieces would be surrounded with double quotation
marks. [2] Example: It has been ten years since the publication of Charles Murray and
Richard Herrnstein’s highly controversial The Bell Curve. Links: Further
Reading: In Eye on Editing 2,
see page 127
Italics, part 4 Use italics or
underlining for foreign words.
Example: From the open
door of the train I had seen the vast jhuggis that spread out from the
cities: jerry-built shacks of hammered-flat
oil barrels, tattered plastic tarps, savaged mud-bricks, and liberated
billboards. [3] Links: Further
Reading: In Eye on Editing 2,
see page 127
Punctuation, part 1 Compound
Sentences Use
a comma or a semicolon in the middle of a
compound sentence with a coordinating conjunction
(and, but, for, or, nor, so, yet): Pattern: Independent clause [ , ] coordinating
conjunction independent clause
[ . ] Example: Doctors
are concerned about the rising death rate from asthma, but
they don't know the reasons for it. [4] Use
a semicolon or a dash in the middle of a compound
sentence without a coordinating conjunction. Don’t use a comma. Pattern: Independent clause [ ; ] independent
clause [ . ] Example: Doctors
are concerned about the rising death rate from asthma; they are unsure of
its cause. [5] Use
a semicolon or a dash in the middle of a compound
sentence with a conjunctive adverb (therefore,
moreover, thus, consequently, however, also). Don’t use a comma. Pattern: Independent clause [ ; ] conjunctive
adverb [ , ] independent clause
[ . ] Example: Doctors
are concerned about the rising death rate from asthma; therefore,
they have called for more research into its causes. [6] Links:
Punctuation, part 2 Colon
Links: Further
Reading: In Eye on Editing 2,
see page 126
Punctuation, part 3 Comma splice
A comma splice
consists of clauses that are incorrectly combined.
Links: Run-ons
- Comma Splices - Fused Sentences Further
Reading: In Eye on Editing 2,
see page 126 In Writing Clearly:
An Editing Guide (2nd edition), see page 139-140
Punctuation, part 4 Use commas to set
off nonrestrictive (nonessential) clauses/phrases.
Pattern: First part of an independent clause [ , ] non-essential
clause or phrase [ , ] rest of the independent clause [ . ]
Example: Many
doctors, including both pediatricians and family practice physicians,
are concerned about the rising death rate from asthma.
A
non-essential clause or phrase is one that can be removed without changing
the meaning of the sentence or making it ungrammatical. In other words, the
non-essential clause or phrase gives additional information, but the sentence
can stand alone without it. Don’t use commas with nonrestrictive
(essential) clauses/phrases.
Pattern: First part of an independent clause [ no comma ] essential
clause or phrase [ no comma ] rest of
the independent clause [ . ] Example: Many doctors who are concerned about the rising death rate
from asthma have
called for more research into its causes. An
essential clause or phrase is one that cannot be removed without changing the
overall meaning of the sentence. [8]
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Topics: |
[1] From:
Don't Think of an Elephant: Know Your Values and Frame the Debate: The
Essential Guide for Progressives, by George Lakoff. Source: http://www.thinkingpeace.com/Lib/lib108.html
[2] Source:
http://grammar.ccc.commnet.edu/grammar/italics.htm
[3] From: Matthew Power, “The Poison Stream: Sacrificing India’s Poor on the Altar of
Modernity,” Harper’s, August 2004.
[4] Adapted
from: http://owl.english.purdue.edu/owl/resource/604/01/
[5] Adapted
from: http://owl.english.purdue.edu/owl/resource/604/01/
[6] Adapted
from: http://owl.english.purdue.edu/owl/resource/604/01/
[7] Adapted
from Botany of Desire by
Michael Pollan
[8] Source:
http://owl.english.purdue.edu/owl/resource/604/01/
[9] Source:
“The
Last Americans: Environmental Collapse and the End of Civilization,”
by Jared Diamond. Harper's Magazine, June 2003.
[10] Carl Sagan (1994), Pale Blue Dot: A Vision of the
Human Future in Space. New York: Random
House.
[11] Source: Will Frankenfood Save the Planet?, by Jonathan Rauch. The Atlantic Monthly, October 2003.
[12] From Creativity: The Work and Lives of 91 Eminent People, by
Mihaly Csikszentmihalyi. Psychology Today, Jul/Aug
96. http://psychologytoday.com/articles/index.php?term=pto-19960701-000033&page=4
.