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Mechanics: Capitalization, Italics, Punctuation, Spelling  

 

 

 

 

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Capitalization, part 1

 

Use a capital letter at the beginning of a sentence, line of poetry, or line in a bullet list.

 

Dont use a capital letter to begin a word that is not at the beginning of a sentence (unless it is a proper name or the title of a source).

 

Links:

Capital Letters

Proper nouns and common nouns

Acronyms

Capitonyms

 

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Capitalization, part 2

 

Capitalization in a title

 

The rule for the capitalization of titles (of books, papers, and other creative works) is:

* Capitalize the first and last words of the title.

* Capitalize the first and last words of the subtitle.

* Capitalize all other words except for prepositions, articles, and conjunctions.

 

Incorrect:

The old man and the sea

 

 

Incorrect:

The Old Man And The Sea

 

 

Correct:

The Old Man and the Sea

 

 

Correct:

Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse

 

Further Reading: 

In Eye on Editing 2, see page 127

 

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Capitalization, part 3

 

Capitalization rules for proper names

 

Links:

Proper nouns and common nouns

 

Further Reading: 

In Eye on Editing 2, see page 127

 

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Italics, part 1

 

Use italics or underlining to set off words that are referred to as words.

 

Example:

When I teach the study of framing at Berkeley, in Cognitive Science 101, the first thing I do is I give my students an exercise. The exercise is: Don't think of an elephant! Whatever you do, do not think of an elephant. I've never found a student who is able to do this. Every word, like elephant, evokes a frame, which can be an image or other kinds of knowledge: Elephants are large, have floppy ears and a trunk, are associated with circuses, and so on. The word is defined relative to that frame. When we negate a frame, we evoke the frame. [1]

 

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 Italics, part 2

 

Use italics or underlining for words that are in contrast. This is sometimes what is meant when you hear the word “emphasis.”

 

Example:

 

Not only can you begin a sentence with a conjunction, in many cases you must do so.

 

Links: 

Italics

Emphasis

 

Further Reading: 

In Eye on Editing 2, see page 127

 

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Italics, part 3

 

Use italics or underlining for titles of books, journals, and other large works.

 

Generally, we italicize the titles of things that can stand by themselves. Thus we differentiate between the titles of novels and journals, say, and the titles of poems, short stories, articles, and episodes (for television shows). The titles of these shorter pieces would be surrounded with double quotation marks. [2]

 

Example:

It has been ten years since the publication of Charles Murray and Richard Herrnstein’s highly controversial The Bell Curve.

 

Links: 

Italics

 

Further Reading: 

In Eye on Editing 2, see page 127

 

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Italics, part 4

 

Use italics or underlining for foreign words.

 

Example:

From the open door of the train I had seen the vast jhuggis that spread out from the cities:  jerry-built shacks of hammered-flat oil barrels, tattered plastic tarps, savaged mud-bricks, and liberated billboards. [3]

 

Links: 

Italics

 

Further Reading: 

In Eye on Editing 2, see page 127

 

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Punctuation, part 1

 

Compound Sentences

 

Use a comma or a semicolon in the middle of a compound sentence with a coordinating conjunction (and, but, for, or, nor, so, yet):

 

Pattern:

Independent clause [ , ] coordinating conjunction independent clause [ . ]

 

Example:

Doctors are concerned about the rising death rate from asthma, but they don't know the reasons for it. [4]

 

Use a semicolon or a dash in the middle of a compound sentence without a coordinating conjunction. Don’t use a comma.

 

Pattern:

Independent clause [ ; ] independent clause [ . ]

 

Example:

Doctors are concerned about the rising death rate from asthma; they are unsure of its cause. [5]

 

Use a semicolon or a dash in the middle of a compound sentence with a conjunctive adverb (therefore, moreover, thus, consequently, however, also). Don’t use a comma.

 

Pattern:

Independent clause [ ; ] conjunctive adverb [ , ] independent clause [ . ]

 

Example:

Doctors are concerned about the rising death rate from asthma; therefore, they have called for more research into its causes. [6]

 

Links:

Sentence Punctuation Patterns

Punctuation

Commas

Semicolons

Dashes

 

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Punctuation, part 2

 

Colon

 

Links:

Colon Usage

 

Further Reading: 

In Eye on Editing 2, see page 126

 

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Punctuation, part 3

 

Comma splice

 

A comma splice consists of clauses that are incorrectly combined.

 

Incorrect:

The scourge of potatoes has always been the Colorado potato beetle, it is a handsome, voracious insect that can pick a plant clean of its leaves virtually overnight. (comma splice error)

Correct:

The scourge of potatoes has always been the Colorado potato beetle.  It is a handsome, voracious insect that can pick a plant clean of its leaves virtually overnight. (separated with a period)

 

 

Correct:

The scourge of potatoes has always been the Colorado potato beetle; it is a handsome, voracious insect that can pick a plant clean of its leaves virtually overnight. (separated with a semicolon)

 

 

Correct:

The scourge of potatoes has always been the Colorado potato beetle, which is a handsome, voracious insect that can pick a plant clean of its leaves virtually overnight. (connected as a relative clause)

 

 

Correct:

The scourge of potatoes has always been the Colorado potato beetle, a handsome, voracious insect that can pick a plant clean of its leaves virtually overnight. (connected as an appositive phrase) [7]

 

 

 

Links:

Run-ons - Comma Splices - Fused Sentences

The comma 

The Semicolon

The Colon

End Punctuation

 

Further Reading: 

In Eye on Editing 2, see page 126

In Writing Clearly: An Editing Guide (2nd edition), see page 139-140

 

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Punctuation, part 4

 

Use commas to set off nonrestrictive (nonessential) clauses/phrases.

 

Pattern:

First part of an independent clause [ , ] non-essential clause or phrase [ , ] rest of the independent clause [ . ]

 

Example:

Many doctors, including both pediatricians and family practice physicians, are concerned about the rising death rate from asthma.

 

A non-essential clause or phrase is one that can be removed without changing the meaning of the sentence or making it ungrammatical. In other words, the non-essential clause or phrase gives additional information, but the sentence can stand alone without it.

 

Don’t use commas with nonrestrictive (essential) clauses/phrases.

 

Pattern:

First part of an independent clause [ no comma ] essential clause or phrase [ no comma ] rest of the independent clause [ . ]

 

Example:

Many doctors who are concerned about the rising death rate from asthma have called for more research into its causes.

 

An essential clause or phrase is one that cannot be removed without changing the overall meaning of the sentence. [8]

 

 

 

Topics:

Agreement

Articles

Clauses

Coherence

Collocations

Format

Meaning

Mechanics

Nouns/Pronouns

Organizing

Parallelism

Passive

Prepositions

Quoting

Sentence

Verbs

Words

 

 

 



Footnotes

 

[1] From: Don't Think of an Elephant: Know Your Values and Frame the Debate: The Essential Guide for Progressives, by George Lakoff. Source: http://www.thinkingpeace.com/Lib/lib108.html

[2] Source: http://grammar.ccc.commnet.edu/grammar/italics.htm

[3] From: Matthew Power, “The Poison Stream:  Sacrificing India’s Poor on the Altar of Modernity,” Harper’s, August 2004.

[4] Adapted from: http://owl.english.purdue.edu/owl/resource/604/01/

[5] Adapted from: http://owl.english.purdue.edu/owl/resource/604/01/

[6] Adapted from: http://owl.english.purdue.edu/owl/resource/604/01/

[7] Adapted from Botany of Desire by Michael Pollan

[8] Source: http://owl.english.purdue.edu/owl/resource/604/01/

[9] Source: The Last Americans: Environmental Collapse and the End of Civilization, by Jared Diamond. Harper's Magazine, June 2003.

[10] Carl Sagan (1994), Pale Blue Dot: A Vision of the Human Future in Space.  New York: Random House.

[11] Source: Will Frankenfood Save the Planet?, by Jonathan Rauch. The Atlantic Monthly, October 2003.

[12] From Creativity: The Work and Lives of 91 Eminent People, by Mihaly Csikszentmihalyi. Psychology Today, Jul/Aug 96. http://psychologytoday.com/articles/index.php?term=pto-19960701-000033&page=4 .